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Forces of Nature Labyrith at College of Charleston's Addlestone Library
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Motoi Yamamoto used hundreds of pounds of salt to create his labyrinth at the College of Charleston's Addlestone Library in Charleston, S.C. as part of an exhibit called "Forces of Nature".
Credit: Motoi Yamamoto (photograph by Stefan Worring)
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Forces of Nature Labyrith at College of Charleston's Addlestone Library - Detail
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A closer look at Motoi Yamamoto's salt labyrinth, part of the "Forces of Nature" exhibit in Charleston, S.C.
Credit: Motoi Yamamoto (photograph by Stefan Worring)
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Labyrinth
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"Labyrinth" is one of Motoi Yamamoto's works on display at the Fondation Espace Ecureuil in Toulouse, France. This piece took 50 hours to create over the course of five days and used 2,200 pounds of salt.
Credit: Motoi Yamamoto (photograph by Stefan Worring)
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Installation at Kunst-Station at the Jesuit Church of St. Peter in Cologne, Germany
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Credit: Motoi Yamamoto (photograph by Stefan Worring)
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Cherry Blossom at Mikiko Sato Gallery
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Motoi Yamamoto's "Cherry Blossom" installation at the Mikiko Sato Gallery in Hamburg, Germany, July 2009.
Credit: Motoi Yamamoto (photograph by Stefan Worring)
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Cherry Blossom at Mikiko Sato Gallery
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Motoi Yamamoto's "Cherry Blossom" installation at the Mikiko Sato Gallery in Hamburg, Germany, July 2009.
Credit: Motoi Yamamoto (photograph by Stefan Worring)
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Cherry Blossom at Mikiko Sato Gallery
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A detailed look at Motoi Yamamoto's "Cherry Blossom" installation at the Mikiko Sato Gallery in Hamburg, July 2009.
Credit: Motoi Yamamoto (photograph by Stefan Worring)
Japanese artist and sculptor Motoi Yamamoto makes incredible installations made entirely out of salt. These installations, which sometimes takes weeks to make, are site-specific, and inherently ephemeral. To underscore this fact, Yamamoto asks that at the end of the exhibits, the salt be returned to the ocean. This ashes-to-ashes act becomes a social event–almost a ceremony in its reverence–with visitors helping to scoop up the trash and toss it out to sea.
The intricate works of art, with their sinuous lines and variegated fractal patterns, trace a network of the artist’s memories, many of which recall his sister and her death. In an interview with NPR, Yamamoto describes the personal nature of his work:
Salt seems to possess a close relation with human life beyond time and space,” he writes in an email. “Moreover, especially in Japan, it is indispensable in the death culture.” Mourners in Japan are often sprinkled with salt after leaving a funeral in order to ward off evil.
The importance of salt in Japanese culture was also a bit more personal for Yamamoto. In 1994, his sister passed away at the age of 24 from brain cancer. In thinking about her and what he had lost, he began creating art that reflected his grief. His work takes the form of labyrinths and complex patterns, like cherry blossoms.
For more of Yamamoto’s work, visit http://www.motoi.biz and http://www.npr.org/blogs/pictureshow/2011/02/15/133678617/yamamotos-elaborate-salt-labyrinths